About Tachat Oganesov

The Art of Tachat Oganesov

Tachat Oganesov (1922-1991)

Tachat Amayakovich Oganesov was born in 1922 in the village of Nalband in Soviet Armenia.  He spent his childhood years in Armenia and was interested in poetry, music and art from an early age.  In 1937 his father died and he and the remainder of his family moved to Tashkent Uzbekistan.  Due to the death of his father he was forced to go to work to provide the necessities his family needed to survive.  However, during these hard times Tachat continued to pursue his interest in art and often visited the painting studio at the House of National Creativity.

Germany attacked the Soviet Union in June 1941 ushering in the Great Patriotic War and further disrupting Tachat’s artistic endeavors and it wasn’t until 1944 that Mr. Oganesov could again focus on the first love of his life and entered art school in Tashkent.  Due to his natural ability he graduated from the five-year program in only three years.  He was then picked to study at the prestigious Repin Art Institute in St. Petersburg.  He returned to Tashkent upon the completion of his courses in 1953.

During his career Mr. Oganesov painted hundreds of works, including landscapes and portraits.  Many of his pieces have been shown at various exhibits throughout the Soviet Union including the All Union Shows.  Among his most significant contributions are Son (1955), The Nurse (1955), Portrait of Borodin (1957), Evening in the Mountains (1958), Cotton Pickers (1958), Portrait of General Krasnov (1965) and Portrait of Portrait of the Surgeon Oskarov (1967).

Throughout his life Mr. Oganesov constantly sought to understand the use of colors, harmony and composition that became a trademark of his work.  He shared his talent as a senior lecturer at the Ostrovskiy Theater-Art Institute in Tashkent.

Mr. Oganesov was in the process of cataloguing the bulk of his life’s work for a show in Tashkent when he passed away in 1991.  His studio in suburban Tashkent stands today nearly the same as at the time of his death, paintings stacked in various stages of preparation.  His daughter, who still lives in the same artist apartment in which her father raised her, oversees the remainder of his work.